SOLO AND TWO PERSON EXHIBITIONS | |
2023 | sour-sweet, Elizabeth Harris Gallery, New York, NY |
2021 | textiles & objects, Elizabeth Harris Gallery, New York, NY |
Vibrating Boundaries, Elizabeth Holden Gallery at Warren Wilson College, NC | |
2020 | Abacus, Pamela Salisbury, Hudson, NY |
2019 | pieces, Elizabeth Harris Gallery, New York, NY |
Interwoven, Horace Williams House, Chapel Hill, NC | |
Solo exhibition at Hodges Taylor, Charlotte, NC (May 2019) | |
Solo exhibition at Philadelphia Magic Gardens (September 2019) | |
2018 | Martha Clippinger: Three Quilts, Durham Arts Council, Durham, NC |
2017 | Martha Clippinger: Colorplay, as part of 12x12, Southeastern Center for Contemporary Art, Winston-Salem, NC |
Martha Clippinger: Hodge Podge Lodge, Columbus Museum, Columbus, GA | |
2016 | ¡loteria!, Elizabeth Harris Gallery, New York, NY |
Right Quick, Artspace, Raleigh, NC | |
Project 9 (with Mel Prest), c2c, San Francisco, CA | |
Tilt-a-Whirl (with Rachel Goodwin), Spectre Arts, Durham, NC | |
2015 | Xigie, Hionas Gallery, New York |
gabi ganai, Korn Gallery, Drew University, Madison, NJ (catalogue) | |
2014 | Flipside, Elizabeth Harris Gallery, New York, NY (catalogue) |
2013 | Odds and Ends, The Center for Contemporary Art, Bedminster, NJ |
2012 | Hopscotch, Elizabeth Harris Gallery, New York, NY |
2008 | MFA Thesis exhibition, Mason Gross School of Art, |
2005 | Paintings, Push Pin Gallery, Fordham University, New York, NY |
SELECTED GROUP EXHIBITIONS | |
2020 | Front Burner: Highlights in Contemporary North Carolina Painting, North Carolina Museum of Art, Raleigh, NC |
The stuff the world is made of, Korn Gallery, Drew University, Madison, NJ | |
Viberations of Pasaquan: Contemporary Artists and St. EOM, Columbus State University, Columbus, GA |
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Women’s Work, The Lola, Atlanta, GA | |
Tools of the Trade: Reinterpreting Traditional Women’s Work, Blue Spiral, NC | |
2019 | Notebook, 56 Henry, New York, NY |
Inquiry, DAAP Galleries, College of Design, Architecture, Art, and Planning University of Cincinnati, OH |
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Notebook, curated by Joanne Greenbaum, 56 Henry, NYC | |
2018 | Seeing the Weave: Textile Based Abstraction from the Piedmont, Smith Gallery at Appalachian State University, Boone, NC |
Surface of a Sphere, Klowden Mann, Los Angeles, CA | |
12 x 12, Southeastern Center for Contemporary Art, Winston-Salem, NC | |
Geometric Behavior, Kunstpakhuset, Ikast, Denmark | |
A Radical Voice: 23 Women, Southampton Arts Center, Southampton, NY | |
2017 | Over & Over, Glass Curtain Gallery, Columbia College Chicago |
New Gallery/New Work, Elizabeth Harris Gallery, New York | |
Art on Paper 2017: The 44th Exhibition, Weatherspoon Art Museum, Greensboro, NC, curated by Emily Stamey |
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2016 | New Geometries, Fleisher-Ollman Gallery, Philadelphia, PA |
Confluence/Influence: Mingei in Contemporary Abstraction, Dorsky Curatorial Programs Long Island City, New York |
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Continuum, LIGHT, Chapel Hill, NC | |
Portable Mind, Spring/Break Art Fair, New York, NY | |
New American Paintings, The South #124, Open Studios Press | |
Made In Paint, Sam and Adele Golden Foundation, New Berlin, NY | |
2015 | Fiber Optic, Minus Space, Brooklyn, NY |
2015-2016 Flat File Program, Tiger Strikes Asteroid, Brooklyn, NY | |
object'hood, Lesley Heller Workspace, New York, NY | |
Recent Relics and Re-placed Sites, AUTOMAT, Philadelphia, PA | |
2014 | Funkdafied, Rhombus Space, Brooklyn, NY |
Color as Structure, McKenzie Fine Art, New York, NY | |
2014 Annual Invitational Exhibition, The American Academy of Arts and Letters, New York, NY |
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Paint Me Sculpturly, Artopia Gallery, Milan, Italy | |
2013 | Drifter, Hionas Gallery, New York, NY |
Language of Painting, Lesley Heller Workspace, New York, NY | |
Holiday Delights, Elizabeth Harris Gallery, New York, NY | |
2012 | Abstract Realities, Hal Bromm, New York, NY |
On the Fence, The Dirty Dirty, Brooklyn, NY | |
2011 | The Edgemere Letters (multimedia collaboration with Urayoán Noel), Edgemere, NY |
Listen and Repeat, Tjaden Hall, Cor.nell University, Ithaca, NY |
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Perimeters, Dumbo Arts Festival, Brooklyn, NY | |
Here, There and Everywhere, Transcultural Exchange, Boston MA | |
Let water be the other half, The Doo-Nanny, Seale, AL | |
2010 | Alternative Histories, Exit Art, New York, NY (catalogue forthcoming) |
Local Color, Front Gallery, Fordham University Lincoln Center, New York, NY |
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Exit Light, Reference Art, Richmond, VA | |
Something to Put Something On, Box 13, Houston, TX | |
The Yard Show, The Dirty Dirty, Brooklyn, NY | |
Three Rooms, Homestead, New York, NY | |
Paintings, Better Than Jam boutique, Brooklyn, NY | |
Seachange, Vox Pop, Brooklyn, NY | |
2009 | Pseudonymous, The Dirty Dirty, Brooklyn, NY |
I Wanna Be Somewhere, Daily Operation, New York, NY | |
Derived, Borrowed, and Stolen, Broadway Gallery, New York, NY | |
Jettison: New Ideas in Abstraction, Austin Peay State University, Clarksville, TN (catalogue) |
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Panel Discussion, The Dirty Dirty, Brooklyn, NY | |
Tails, Red Mill Gallery, Johnson, VT | |
2008 | The Fungusamongus, The Dirty Dirty, Brooklyn, NY |
I'll Make You, Seaport Gallery, New York, NY | |
Small Works Show, 440 Gallery, Brooklyn, NY | |
Fordham Alumni Show, Fordham University, New York, NY | |
Fresh Meat/Young Blood, Shore Institute of Contemporary Art, Long Branch, NJ |
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2007 | Welcome Back Show, Mason Gross Galleries, New Brunswick, NJ |
Nature of Duality, The Brennan Gallery, Jersey City, NJ | |
2006 | First Year MFA Exhibition, Mason Gross Galleries, Rutgers University, New Brunswick, NJ |
GRANTS AND FELLOWSHIPS | |
2019 | Finalist, Society 1858 Prize for Contemporary Art, Gibbes Museum, Charleston, SC |
2018 | Arts & Industry Residency, John Michael Kohler Arts Center, Sheboygan, WI |
2017 | Ella Fountain Pratt Emerging Artists Grant, Durham Arts Council, Durham, NC |
2016 | PNC Pop-In Residency, Artspace, Raleigh, NC |
2015 | Sam and Adele Golden Foundation Exploratory Residency |
2014 | The American Academy of Arts and Letters Purchase Award: Hassam, Speicher, Betts, and Symons Fund |
2013-14 | Fulbright-García Robles Research Grant, Mexico |
2013 |
The Edward F. Albee Foundation |
The MacDowell Colony | |
2012 | Atlantic Center for the Arts |
2010-11 | The Marie Walsh Sharpe Art Foundation The Space Program |
2009 | Nadine Goldsmith Artist's Fellowship, Vermont Studio Center, Johnson, VT |
2008 | Joan Mitchell Foundation MFA Grant nominee |
2007 | Teaching Fellowship, Mason Gross School of Art, Rutgers University, New Brunswick, NJ |
2006 | University Merit Scholars Award, Mason Gross School of Art |
2005 | Vasari Lecture speaker, Fordham University, Bronx, NY |
2004 | Stark Travel Prize, Fordham University, Bronx, NY |
COLLECTIONS | |
Capital One Corporate Collection, Richmond, Virginia | |
The Columbus Museum, Columbus, Georgia | |
Duke University, commissioned mural at The Brodhead Center, Durham, North Carolina | |
The Durham Hotel, Durham, North Carolina | |
John Michael Kohler Arts Center, Sheboygan, WI | |
Kohler Company, Kohler, WI | |
Jean-Paul Najar Foundation, Dubai, United Arab Emirates | |
Kane Realty, commissioned mural, Peace Street Apartments, Raleigh, NC | |
Nerman Museum of Contemporary Art, Overland Park, Kansas | |
North County Regional Library, commissioned mural, Huntersville, NC | |
University of Texas Southwestern Medical Center, Dallas, Texas | |
BIBLIOGRAPHY | |
2019 | John Yau, "The Pleasures of DIY Art", Hyperallergic |
Orlow, Emma. “Eight Textile Designers Making Quilts Cool Again” Architectural Digest: Clever. Feb 28 |
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2017 | Wertz, Orion. “Martha Clippinger’s Hodge Podge Lodgeat the Columbus Museum” Burnaway, Nov 9 |
2016 | Yau, John. “Scrap Master,” Hyperallergic, Oct 30 |
Buhmann, Stephanie. "Color, Geometry, and Texture in the Work of Martha Clippinger" catalog essay for ¡lotería!, Elizabeth Harris Gallery, Oct. |
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Butler, Sharon, "New Geometries: Embracing Narrative and Content," Two Coats of Paint, Oct 2 |
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Baker, Alex, "New Geometries", catalog essay, Fleisher-Ollman, Sept. | |
Donlon, Bridget, "Confluence/Influence: Mingei in Contemporary Abstraction" catalog essay, Dorsky Gallery Curatorial Programs, Sept |
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2014 | Landi, Ann, "Color as Structure at McKenzie Fine Art", ARTNEWS, October |
Panero, James, “Gallery Chronicle” The New Criterion, April | |
Hughes, Christine, “Invitational” ARTEIDOLIA, March | |
Haber, John, “Modernism for Beginners” haberarts blog, February | |
Kohler, William Eckert, “In Between: Various Artists at Various Galleries on the Lower East Side,” Huffington Post Blog, Jan |
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2012 | Witkowski, Viktor. "10 Underrated Artists?" Same Ole Art, Aug 29 |
Hurst, Howard. "10 Underrated Artists from Brooklyn" Hyperallergic, Aug 19 | |
Gerrity, Alexa. "Hump Day Art Crush: Martha Clippinger", Lives and Works, |
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Berlind, Robert. "Martha Clippinger Hopscotch" The Brooklyn Rail, Feb | |
Yau, John. "Sassily Serious, Seriously Sassy" Hyperallergic, Jan 28 | |
Naves, Mario, "Martha Clippinger at Elizabeth Harris Gallery", Too Much Art, Jan 16 |
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Mattera, Joanne. "Color: Field and Form, Part 11" Joanne Mattera Art Blog | |
2010 | Thomson, Steven, “Watch out for the hidden ninjas: Five exhibitions think inside the BOX 13,” |
LECTURES | |
2016 | School of Visual Arts in Oaxaca, Mexico |
2015 | Drew University, Madison, NJ (gabi ganai exhibition lecture) |
2014 | Pennsylvania Academy of Fine Art |
2012 | Gallery Talk for solo exhibition "Hopscotch", Pace University, New York |
2011 | Walking tour/performance with poet Urayoan Noel, Edgemere, NY |
2010 | Studio visit with Drew University, Madison, NJ Gallery Talk, “The Evolving Circles of Erika Saito,” Korn Gallery, Drew University, Madison, NJ |
2009 | Artist talk, Fordham University, New York, NY Senior studio critiques, Drew University, Madison, NJ |
EDUCATION | |
2008 | MFA, Mason Gross School of Art, Rutgers University, New Brunswick, NJ |
2005 | BA, Fordham University Rose Hill, Bronx, NY |