James Biederman
SOLO EXHIBITIONS
2022 hand written letters, Elizabeth Harris Gallery, New York, NY
2019 sculpture 2018/19, Elizabeth Harris Gallery, New York, NY
2017 Elizabeth Harris Gallery, New York, NY
2016 Mattatuck Museum of Art, Waterbury, Ct.
2013 Janet Kurnatowski Gallery, Brooklyn, NY
2012 University of North Carolina at Pembroke
2010 Janet Kurnatowski Gallery, Brooklyn, NY
2007 University of North Carolina at Pembroke
Janet Kurnatowski Gallery, Brooklyn, NY
2005 Janet Kurnatowski Gallery, Brooklyn, NY
Abaton Garage, Jersey City, NJ
2003 James Biederman: Oil Painting, Art Lab Gallery
Snug Harbor Cultural Center July/August, Staten Island, New York
2002 Painting and Drawing, Collaborative Concepts, Beacon, New York
2001 Recent Painting, Beacon Camera Club, Beacon, New York
1999 The Virginia Paintings, Bradford Gallery, Virginia Commonwealth
University, Richmond, Va.
1998 Paintings by James Biederman, 100 Broadway Exhibition Space,
Randolph/Tate, Curators
1995 Paintings by James Biederman, Marsh & McLennan 1166 Broadway, NYC
Randolf & Tate, Curators
1994 James Biederman: 1994 Drawings, John Froats Gallery, Cold Spring, NY
1993 James Biederman: Oil Paintings, John Weber Gallery, NYC
1991 James Biederman, John Weber Gallery, NYC
1990 James Biederman, Galerie Muhlenbusch-Winkelmann, Dusseldorf, Germany
“Project Room”, John Weber Gallery, NYC
1989 James Biederman, John Weber Gallery, NYC
1988 Paintings and Drawings, McIntosh/Drysdale Gallery, Washington, DC
Painting, New York Studio School, NYC
New Paintings, Fay Gold Gallery, Atlanta, Georgia
1987 James Biederman, John Weber Gallery, NYC
James Biederman, Fuller/Goldeen Gallery, San Francisco, California
1985 James Biederman, John Weber Gallery, NYC
1984 James Biederman, John Weber Gallery, NYC
1983 New Works, John Weber Gallery, NYC
1982 James Biederman, Carol Taylor Art, Dallas, Texas
1981 James Biederman, John Weber Gallery, NYC
1974 James Biederman: Sculpture, Artist Space”, NYC
1969 Neon Installation, Group 212, Woodstock, NY
GROUP EXHIBITIONS
2017 “Colorsculpture”, Studio School, Dumbo, Brooklyn
2015 "Eating Painting" 308 at 156Project Art Space, NYC. Curated by Lisa
Taliano/James Biederman. Printed and on line catalogue.
"Painting in Trees", People's Garden, Brooklyn, NY / Ben La Rocco, Linnea
Paskow, Ben Pritchard Curators
"Embracing Space and Color: Art On and Off the Wall" Vero Beach Museum of
Art, Jay Williams, Curator, Vero Beach, Florida
“From Painting to Video: Highlights from the Permanent Collection Vero Beach
Museum of Art
I Don't Poem, An Anthology of Painters Ed. by Claudia La Rocco, Off the Park
Press NY, NY
MOMENTA ART’s 20015 Spring Benefit, April 23, 2015
Paperazzi 4 – FebruaryJanet Kurnatowski Gallery, Brooklyn, NY
Sideshow Nation II: At the Alamo, Sideshow Gallery, Brooklyn NY
2014 Paperazzi 3 – Jan 16 -Feb 16 Janet Kurnatowski Gallery, Brooklyn, NY
2013 Paperazzi 3 – Jan -Feb 10 Janet Kurnatowski Gallery, Brooklyn, NY
2012 Summer Snacks, Janet Kurnatowski Gallery Brooklyn, NY
PAPERAZZI, Janet Kurnatowski Gallery, Brooklyn, NY
2011 Brooklyn Guggenheim Fellows: Biederman, Bradford, Briggs, Fischer,
Janet Kurnatowski Gallery , Brooklyn, NY
Summer Weekend, Janet Kurnatowski Gallery, Brooklyn, NY
Paper 2011, Janet Kurnatowski Gallery, Brooklyn, NY
2010 Summer Love, Janet Kurnatowski Gallery, Brooklyn, NY
Paperworks, Janet Kurnatowski Gallery, Broklyn, NY Color Time Space –
Curated by Joanne Freeman & Kim Uchiyama, Janet Kurnatowsk Gallery, Brooklyn, NY
Color Time Space – Curated by Joanne Freeman & Kim Uchiyama, Lohn Geduld Gallery, NYC
2009 Year Five, Janet Kurnatowski Gallery, Brooklyn, NY
2008 Benefit: Aldrich Museum, CT
Benefit: Edna St.Vincent Millay Artist Colony ,Joyce Goldstein Gallery, Chatham, NY
PEACE, Sideshow Gallery, Brooklyn, New York
Ways of Seeing, The Lobby at 499 Park Avenue, Judieth Selkowitz, Curator
2007 UNCP Art Faculty Exhibition, University of North Carolina at Pembroke, The AD Gallery
A Painting Show, Planet Thailand, Brooklyn, New York, Janet Kurnatowski, Curator
2006 Is Over “Again”, Sideshow Gallery, Brooklyn, New York
Conversations in Paint, The Painting Center, NYC, Eastern Connecticut State
University
The College of William and Mary, Haverford, PA
2004 Women: Benefit for Cancer, Sideshow Gallery, Brooklyn, NY
Eccentric Spaces, N3 Project Space”, Brooklyn, NY
2003 100 x 100” (Fundraiser Event), Collaborative Concepts, Beacon, NY
Drawing :Faculty Art Show, William Paterson University, Wayne, NJ 2002
Peripheral Vision, Collaborative Concepts, Beacon, NY
Peace, Sideshow Gallery, Brooklyn, NY
Flights of Fancy, Benefit, Westchester Children’s Hospital Suzanne Randolf, Curator
Annual Art Auction: Anderson Ranch Arts Center, Colorado
The Drawing Centers 25th Anniversary Benefit Selection Exhibition The Drawing Center
2001 Faculty Art Show, William Paterson University, Wayne, NJ
2000 New York Painters, Eckert Fine Arts, Naples, Florida
Sensibility and Surface, Henry Street Settlement, NYC, Molly Herman, Curator
Drawings & Photographs, Foundation for Contemporary Performance Arts: Benefit, Matthew Marks Gallery, NYC
Hiding in Plain Sight, 450 Broadway Gallery, Loren Munk, Curator
Faculty Art Show, William Paterson University, Wayne, NJ
1999 Cow Parade, New York City
Artwalk, Benefit: Coalition for the Homeless, NYC
1997 Abstract and Unfixed, Art in General, NYC, Richard Tsao & Hiram Rodruguez-Mona, Curators
French Designer Showcase, Benefit:The American Hospital of Paris Foundation, NYC
1995 Prints: Benefit for the Foundation for Contemporary Performance Arts, Brooke Alexander Gallery, NYC
1993 Sommer ‘93, Winkelmann Galerie, Dusseldorf, Germany
1992 Then & Now, Philippe Staib Gallery, NYC, Buzz McCall, Curator
Contemporary Drawings and Paintings, Christie’s East, NYC, auction, Tuesday, November 17, 1992
1991 Drawings by Artists Represented the John Weber Gallery, ARCO, Madrid, Spain
A Selection of Large Scale Sculpture, John Weber Gallery, NYC
Amerikansk Kunst Efter 1960, GI., Holtegaard 1990
Group Painting Show, Zoe Gallery, Boston, MA
The Grid: Organization and Idea, Ben Shahn Galleries, William Paterson University, NJ
1989 Partnership for the Homeless, Benefit: Auction at Christie’s, NYC, December 16, 1989
Methods of Abstraction, Gallery Urban, NYC
Artists of the Eighties: Selected Work From the Maslow Collection, Sordoni Art Gallery, Wilkes-Barre, PA
Art on Paper, Weatherspoon Gallery, Greensboro, NC
Drawing, Daniel Newburg Gallery, NYC
Kunster Der Galerie, Galerie Muhlenbusch-Winkelmann, Dusseldorf, Germany
1988 Formal, Dart Gallery, Chicago, Illinois
Works on Paper, Shea and Baker Gallery, NYC
1900 to Now: Modern Art in Rhode Island Collections, Museum of Art, Rhode Island School of Design, Providence Drawing, Martina Hamilton Gallery, NYC
1987 Solid Abstraction: Shaped, Stacked & Pierced, Saxon Lee Gallery, LA, CA, SolOstrow, Curator
Pastel Anthology II, Grace Borgenicht Gallery, NYC, Miles Manning, Curator
New Abstract Prints, Associated American Artists, NYC
Woodwork, Martina Hamilton Gallery , NYC
Art Against Aids, John Weber Gallery, NYC
Art Against Aids, Scott Hansen Gallery, NYC, Klaus Kertess, Curator
Group Show, John Stoller Gallery, Minneapolis
1986 Sculpture on the Wall, Aldrich Museum of Contemporary Art, Ridgefield, CT
1976- 1986: Ten Years of Collecting Contemporary Art, selections from the Edward R.Downe Collection, Wellesly College Museum, Wellesley, Mass.
Group Show, Barnara Greene Gallery, Miami, Florida
1985 Basically Wood, Thomas Segal Gallery, Boston, MA
Large Drawings, Museum of Modern Art, NYC, John Elderfeld, Curator
Benefit Exhibition, Independent Curators, Inc. NYC
Color in Sculpture, Alpha Gallery, Boston, Mass.
Furniture by Artists, Baltimore Arts Festival, Baltimore, Md., Diane Brown, Curator
Geometric Abstractions: Selections from a Decade 1975-1985, Bronx Museum, Bronx, NY,
Philip Verre, Curator
Artist Toys and Ornaments, Vanderwoode Tannenbaum Gallery, NYC
Chromatics: A Sculpture Exhibition of 20 Artists, The Mendick Co., NYC, Jud Tully, Curator
Tit for Tat Lin, The Alternative Museum, Peter Berg,Curator
Drawings by Sculptors: Two Decades of Non-Objective Art from the SeagramsCollection, SeagramsBuilding, NYC
1984 Montreal Museum of Fine Arts, Canada Nickle Art Museum, Calagery, Canada
1983 Science Fiction, John Weber Gallery, NYC, Peter Halley, Curator
Artist Toys, Vanderwoode Tannenbaum Gallery, NYC
Hundreds of Drawings, Artist Space, NYC
Intermedia: Between Painting and Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, Conn.
Concepts in Construction: 1910-1980, Independent Curators Inc., Irving Sandler, Curator Tyler Museum, Tyler Texas
Norton Gallery and School of Art, West Palm Beach, FL
Bass Museum of Art, Miami Beach, FL
Cincinnati Art Museum, Cincinnati, Ohio
Alberta College of Art, Calagary, Canada
Norman McKenzie Art Gallery, Regina, Canada
Anchorage Historical and Fine Arts Museum, Anchorage, Alaska
Long beach Museum of Art, Long Beach CA
Palm Springs Desert Museum, Palm Springs, CA
Neuberger Museum , SUNY College at Purchase, NY
New York-One Dag-Arbeider Da Papir: 18 Amerikanske Kuntsmuseum Aalborg/ Randor
Kuntsmuseum, Denmark
On the Leading Edge: Cross Currents in Contemporary Art of the Eighties General Electric Co.
1982 Biederman-Kendrick-Gummer, Arts Club of Chicago, Chicago, Illinois
4 Artists, Bowdin College Museum, Brunswick, Maine
The Circulating Exhibition Commodities Corporation of Princeton New Jersey Museum of Art
Fort Lauderdale, Florida
Oklahoma Museum of Art, Oklahoma
Santa Barbara Museum of Art, Santa Barbara, CA
Grand Rapids Art Museum,Grand Rapids, Michigan
Madison Art Center, Madison, Wisconsin
Montgomery Museum of Art, Montgomery, Alabama
New Drawing in America, The Drawing Center, NYC/Venice, Italy/Surrey, England
Drawing: New Dimensions, Summit Art Center, Summit, New Jersey
Constructed Color, Hayden Gallery, MIT, Boston, Mass. Kathy Halbreich, Curator
Internationale Jugendtriennale der Zeichnung, Kunsthalle, Nurenberg, W.Germany
Musee Cantonal des Beaux Arts, Lausanne, Switzerland
Documenta 7, Kassel, Germany, Rudi Fuchs, Curator
Choix Pour Aujourd’hui, Centre Georges Pompidou, Paris, France
1981 Group Show, Gloria Luria Gallery, Bay Harbor Island, Florida
Recent Acquisitions – Drawing , Aldrich Museum of Contemporary Art, Ridgefield, Conn.
Sculpture, The Clocktower, NYC, Per Jensen, Curator
Media Relief, John Weber Gallery, NYC, John Weber & Ronnie Cohn, Curators
Color on Structure, William Paterson University, Wayne, N.J.
Large Format Drawings, Barbara Toll Fine Arts, NYC
Currents: A New Mannerism, Jacksonville Art Museum, Jacksonville, Florida
35 Artists Return to Artist Space: Benefit Exhibition, Artists Space, NYC
Recent Acquisitions: Drawings, Museum of Modern Art, NYC
1980 All in Line: An Exhibition of Linear Drawings, Syracuse University Museum
Terry Dintenfass Gallery, NYC
Recent Work/Gallery Artists, John Weber Gallery, NYC
Aspects of Geometric Art:1917-1980, University of Kentucky Art Museum, Lexington, Kentucky
Selections from the John Weber Gallery, University of Southern Florida Florida International University, Miami, Florida
Art for Public Places, Lever House, NYC
1979 Large Scale Paintings at Cooper Union, Cooper Union College, NYC
Sitework, World Trade Center, NYC
Mind Set: An Ongoing Involvement in the Rational Tradition, John Weber Gallery, NYC
1978 Selections: The Drawing Center, NYC
1977 Works on Paper, Katonah Gallery, Katonah, NY
TEACHING EXPERIENCE
2007-12 University of North Carolina at Pembroke, Martha Beach Endowed Chair of Painting
2004 Western Wyoming Community College, Rock Springs, Wyoming, Visiting Artist/Fall Semester -
Painting, Drawing, 2D Design, Art History
2004 New York Studio School, Brooklyn Studio Visiting Artist
2003 University of Utah, Salt Lake City, Utah, Visiting Artist
The Art School at Snug Harbor, Staten Island, NY, Visiting Artist
2000-04 William Paterson University, Wayne, New Jersey, Adjunct Professor - Color Theory and Painting,
2D Design, Figurative & Perceptual Drawing
2000 Milloy College, Rockville Center, New York, Adjunct Professor - Figurative Drawing/Painting
1999 Virginia Commonwealth University, Richmond, Virginia, Fall Semester Visiting Artist -
Graduate Painting, Advanced
Drawing, Slide Lecture, Student Exhibition Juror, Solo Exhibition (work made during fall residency)
1998-00 Hofstra University, Hempstead, New York, Adjunct Assistant Professor - Painting, Figurative Drawing, 2D Design, Perceptual Drawing
1998 George Mason University, Fairfax, VA, Brooklyn Studio Visit & Studio Tour
1985 Rhode Island School of Design, Providence, Rhode Island, Visiting Artist
1984 Yale University, New Haven, Connecticut, Visiting Artist - Graduate Painting Department
State University of New York at New Paltz, Visiting Artist
Connecticut College, New London, CT, Visiting Artist
The Museum School of Boston, Boston, MA, Student Traveling Award Juror
1983 The Museum School of Boston, Boston, MA, Visiting Artist
The Museum School of Boston, Six Week Sculpture Studio Seminar
New York University, NYC, Adjunct Painting Instructor
1981 Yale University, New Haven, CT, Visiting Artist, April 8, 1981
Yale University Art Society, New Haven, CT, Visiting Artist
1974 Pomona College, Pomona, New Jersey, Visiting Artist
MUSEUM & PUBLIC COLLECTIONS
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Atlantic Richfield Company
Chase Manhattan Art Program
Chemical Bank
Cincinnati Art Museum
Center Georges Pompidou, Paris, France
Commodities Corporation, Princeton, New Jersey
Everson Museum of Art, Syracuse, New York
Hayden Gallery, MIT, Boston, Mass.
Hirshhorn Museum and Sculpture Garden, Washington, D.C
Inter Metro Industries Corporation, Wilkes-Barre, Pennsylvania
Kroller-Mueller Museum, Otterlo, The Netherlands
Mapplethorpe, Robert
Marsh and McLennan, New York
Mayo Clinic Santa Fe, NM
Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Museum of Contemporary Art, Chicago, Illinois
National Gallery of Australia, Sydney, Australia
Pharmacia (Searle Organization)
Prudential Insurance Company
Joseph Seagram and Sons
Vero Beach Museum, Vero Beach, Florida
Wadsworth Athenaeum, Hartford, Connecticut
GRANTS/RESIDENCIES
2017 Pollock-Krasner Foundation Grant
2016 Yaddo Artist Residency
2015 Joan Mitchell Foundation Artist Residency New Orleans Fellow
2012 University of North Carolina at Pembroke Faculty Development Grant
2011 John Simon Guggenheim Memorial Foundation Fellowship
2010 Fellow, Jentel Foundation, Banner, Wyoming
2008 Joan Mitchell Foundation Painting and Sculpture Grant
UNC at Pembroke Faculty Development Grant
North Carolina Regional Arts Council Project Grant
2005 Adolph Gottlieb Foundation Artist Grant
2004 Edward Albee Foundation Residency Fellow
2003 Nominee, Tiffany Foundation Grant
Change, Inc., Grant (Robert Rauschenberg Foundation)
2001 Virginia Center for the Arts, Residency Fellow
Adolph and Esther Gottlieb Foundation/Emergency Assistance Grant
1994 Pollock-Krasner Foundation Grant
1988 New York Foundation for the Arts, Painting
1982 National Endowment for the Arts, Sculpture
1979 National Endowment for the Arts, Drawing
1978 New York Cultural Foundation Artist Project
1977 Edna St. Vincent Millay Colony for the Arts, Residency Fellow
REVIEWS
2013 Hyperallergic.com, “Is Neon the New Black?”, June 7th, Daniel Larkin
2010 A Rollicking, Raucous Surrealistic Tableau By Lance Esplund for The Wall Street Journal
James Biederman at Janet Kurnatowski
2009 ACT II: RIPE FOR REDISCOVERY by James Kalm
2008 Shape Shifters: New York Painters Art Critical By: Cathy Nan Quinlan
Video from Shapeshifters Exhibition @ Sideshow Gallery
My, How Time Flies…
2007 Linda Hudginsart: Bold Life Article By: Norm Powers
2006 ART BASEL MIAMI BEACH 2006 by James Kalm and Ben LaRocco
Video James Biederman Plaster Works at GALERIA JANET KURNATOWSKI
2004 Gallery Going, by DAVID COHEN
Ortiz, Lori, “The Color Imperative”, offoffoff.com, May 21, 2004
2003 Discordant Pastoral:Painting in the Age of Lost Luggage. James Biederman at Art LabGallery
By: Lori Ortiz
Ortiz, Lori, “Discordant Pastoral-Painting in the Age of Lost Luggage”, www.wburg.com December
Painting – N3 Project Space, Brooklyn, N.Y.– Artists: Sharon Horvath, Craig Buckbee, Taro Suzuki, Eric Holzman, Gordon Moore
Fressola, Michael, “The Titles Talk at the Art Lab Show”, Staten Island Advance, Friday, August 8
Halasz, Piri, From the Mayors Doorstep, No.44, January 15, 2003, p.17
2002 A Controller of Chaos With No Fear of Paint By D. Dominick Lombardi
De Coppet, Lauras, Alan, The Art Dealers, Cooper Square Press, 2002 (Book), p.202
Johnson, Ken, “Lifelike, Abstract or Funky, What Exactly is a Drawing”, NY Times, Friday, September 27
Lombardi, Dominick D.,”A Controller of Chaos With No Fear of Paint: James Biederman: Paintings
and Drawings
The New York Times, Westchester section, Sunday, March 3, 2002
2000 McCelland, Eileen, “Summer Soiree”, Naples Daily News, August 24, 2000
1999 Kalm, James, “Painting IV:Wanderlust”, N3 Project Space, NY ARTS, vol.3, no.4, April
Nelson, Samantha, “Pick 3”, Waterfront Week, Febuary 15, 1999
Newhall, Edith, “Happening Homework: James Biederman’s N3”, New York, Febuary 15, 1999
Smith, Roberta, “Brooklyn Haven for Art Heats Up”, New York Times , Friday, November 6, 1998
1992 Then & Now, exhibition catalogue, Philippe Staib Gallery, NYC, 1992
1991 Amerikansk Kunst Efter 1960, exhibition catalogue, GI. Holtgaards, essay by Oystein Hjort,
March-April 1991, p.11
The “Goings On Around Town”, New Yorker, April 15, 1991, p.13
Deconstructed Painting: Some Younger Artists in the 1980s, By: Holland Cotter
Biederman, James, “Artist’s Writings”, Art Journal, College Art Association, CurtBarnes, ed. Spring, p. 4
The Grid Organization and Idea, exhibition catalogue with essays by Karl Lunde andDavid Raymond,
Ben Shahn Gallery
1990 The William Paterson College of New Jersey, Wayne, New Jersey, April 1990
Friedrichs, Yvonne, “DoppellaussstellungbeiMuhlenbusch:Blosgeletesinneres” Dusseldorf Feuilleton, Rheinische Post September 3, 1990
Bernhard, Renate, “Galerie Muhlenbusch-Winkelmann: Oh Schreck! Nichts als Gips undStroh”, NRZ,
March 8, 1990
Kur, “Aus den Galerien: Muhlenbusch, Dusseldorf”, Handelsblaft, March 6, 1990
James Biederman, catalogue with essay by Andreas Vowinckel, Galerie Muhlenbush- Winkelmann, Dusseldorf, Germany, 1990
1989 Artists of the 80’s Selected Works from the Maslow Collection, exhibition catalogue,
Sordoni Art Gallery, Wilkes-BarrePennsylvania, 1989
1988 Gilbert-Rofe, Jeremy,”Art: Pick of the Week”, L.A. Weekly, January 15, 1988
1987 Ellis, Stephan, “Review”, Art in America, October 1987, p.117-118
Jones, Amelia, “Room for Conceptual Experimentation”, Artweek, December 19
Baker, Kenneth, “Biederman’s Paintings”, San Francisco Chronicle, June 13, p.41
James Biederman, catalogue with essay by Tiffany Bell, John Weber Gallery
Flam, Jack, “Old Artists, New Styles: Painters on the Move”, Wall Street Journal, March 25
1986 “Prints and Photographs Published”, Print Collectors Newsletter, vol.XVII, no.4, September/October
Contrasts of Dabrowski, Magdalena, Form: Geometric Abstract Art 1910-1980, book, published by
The Museum of Modern Art NYC, 1985, p.207
1985 “Artists Toys”, Art & Antiques, December, 1985
1984 Tit for Tat, exhibition catalogue with essay, “Constructive Abstraction”, by Peter Chametzky and
Sue Fellman, The Alternative Museum, NYC, 1984
New Art, book, published by Harry Abrams, New York, 1984
1983 “Drawing”, New Observations, no.8, Spring, 1983
Cohen, Ronny H., “Drawing Now in New York City: The Pictorial Image of the Eighties”, Drawing,
January-February 1983
New Observations: Art and Culture, exhibition catalogue, John Weber Gallery, NYC
Eisenman, Stephen, “Review”, Arts Magazine, April 1983, p.32
Cohn, Ronnie H., “Review”, Artforum, April 1983, p.72
1982 “New Drawing in America”, exhibition catalogue, The Drawing Center, NYC
Fuchs, Rudi, Documenta 7: Kassel. VolumeI&II, exhibition catalogue, introduction by Rudi Fuchs,
editorial by SSKIA Bos, 1982
Phillips, John, “English Painters and American Draftsman”, The New York Times, Sunday, March 21
Zeichuna Heute:2 Internationale Jugendtriennale & Meister der Zeihnung, exhibition catalogue,
Kunsthalle, Nurenberg, West Germany
Tuchman, Phyllis, Biederman-Gummer-Kendrick, exhibition catalogue with essay, The Arts Club
of Chicago, 1982
1981 Currents: A New Mannerism, exhibition catalogue, Jacksonville Art Museum, Jacksonville, Florida
Color on Structure, exhibition catalogue, William Paterson University, Wayne, New Jersey,
Eisenman, Stephen, “Review”, Arts Magazine, Summer, 1981, p. 128
Cohn, Ronny H., “A s Survey of What, How and Why Younger American Artists Are Drawing So
Much Today”, Drawing, vol. LLL ,no.2 July/August 1981
Smith, Roberta, “Seductive Selections”, The Village Voice, June 10, 1981
McFadden Sara, “James Biederman at Weber”, Art in America, June 1981
Art 1981: Chicago Navy Pier, May 14-19, 1981, exhibition catalogue
Pincus-Witten, Robert, “Entries: Sheer Grungs”, Art in America, May 1981
Cohn, Ronnie H., “Review”, Artforum, March 1981
Kramer, Hilton, “Art: The Modern Shows Off Acquisitions of Drawings”, The New York Times, March 20
Mann, Virginia, “All in Line”, Arts, February, 1981 Miami
Dobbs, Lillian, “John Weber Artists Rejects Traditional Mold”, News, January 23,
Russel, John, “Review”, The New York Times, Friday, January 23, 1981
1979 Kramer, Hilton,”Art: 18 In the Constructivist Tradition”, The New York Times, December 14
Tatranski, Valentin, “Review”, Arts, February 1979
1975 Heinman, Susan, “Review”, Artforum, February, 1975
EDUCATION
Yale University MFA 1973
Whitney Museum Independent Study Program 1970-1971
State University of New York at New Paltz, BA1969