James Biederman

SOLO EXHIBITIONS

2022         hand written letters, Elizabeth Harris Gallery, New York, NY
2019         sculpture 2018/19, Elizabeth Harris Gallery, New York, NY
2017         Elizabeth Harris Gallery, New York, NY
2016         Mattatuck Museum of Art, Waterbury, Ct.
2013         Janet Kurnatowski Gallery, Brooklyn, NY
2012         University of North Carolina at Pembroke
2010         Janet Kurnatowski Gallery, Brooklyn, NY
2007         University of North Carolina at Pembroke
                 Janet Kurnatowski Gallery, Brooklyn, NY
2005         Janet Kurnatowski Gallery, Brooklyn, NY
                 Abaton Garage, Jersey City, NJ
2003         James Biederman: Oil Painting, Art Lab Gallery
                 Snug Harbor Cultural Center July/August, Staten Island, New York
2002         Painting and Drawing, Collaborative Concepts, Beacon, New York
2001         Recent Painting, Beacon Camera Club, Beacon, New York
1999         The Virginia Paintings, Bradford Gallery, Virginia Commonwealth
                        University, Richmond, Va.
1998         Paintings by James Biederman, 100 Broadway Exhibition Space, 
                         Randolph/Tate, Curators
1995         Paintings by James Biederman, Marsh & McLennan 1166 Broadway, NYC
                        Randolf & Tate, Curators
1994         James Biederman: 1994 Drawings, John Froats Gallery, Cold Spring, NY
1993         James Biederman: Oil Paintings, John Weber Gallery, NYC
1991         James Biederman, John Weber Gallery, NYC
1990     James Biederman, Galerie Muhlenbusch-Winkelmann, Dusseldorf, Germany
                “Project Room”, John Weber Gallery, NYC
1989         James Biederman, John Weber Gallery, NYC
1988         Paintings and Drawings, McIntosh/Drysdale Gallery, Washington, DC
                Painting, New York Studio School, NYC
                New Paintings, Fay Gold Gallery, Atlanta, Georgia
1987         James Biederman, John Weber Gallery, NYC
                James Biederman, Fuller/Goldeen Gallery, San Francisco, California
1985         James Biederman, John Weber Gallery, NYC
1984         James Biederman, John Weber Gallery, NYC
1983         New Works, John Weber Gallery, NYC
1982         James Biederman, Carol Taylor Art, Dallas, Texas
1981         James Biederman, John Weber Gallery, NYC
1974         James Biederman: Sculpture, Artist Space”, NYC
1969         Neon Installation, Group 212, Woodstock, NY

GROUP EXHIBITIONS

2017         “Colorsculpture”, Studio School, Dumbo, Brooklyn
2015         "Eating Painting"  308 at 156Project Art Space, NYC. Curated by Lisa
                        Taliano/James Biederman. Printed and on line catalogue.
                "Painting in Trees", People's Garden, Brooklyn, NY / Ben La Rocco, Linnea
                        Paskow, Ben Pritchard Curators
                "Embracing Space and Color: Art On and Off the Wall"  Vero Beach Museum of
                        Art, Jay Williams, Curator, Vero Beach, Florida
                “From Painting to Video: Highlights from the Permanent Collection Vero Beach
                        Museum of Art
                I Don't Poem, An Anthology of Painters Ed. by Claudia La Rocco, Off the Park
                        Press NY, NY
                MOMENTA ART’s 20015 Spring Benefit, April 23, 2015
                Paperazzi 4 – FebruaryJanet Kurnatowski Gallery, Brooklyn, NY
                Sideshow Nation II: At the Alamo, Sideshow Gallery, Brooklyn NY
2014         Paperazzi 3 – Jan 16 -Feb 16 Janet Kurnatowski Gallery, Brooklyn, NY
2013         Paperazzi 3 – Jan -Feb 10 Janet Kurnatowski Gallery, Brooklyn, NY
2012         Summer Snacks, Janet Kurnatowski Gallery Brooklyn, NY
                PAPERAZZI, Janet Kurnatowski Gallery, Brooklyn, NY
2011         Brooklyn Guggenheim Fellows: Biederman, Bradford, Briggs, Fischer,
                        Janet Kurnatowski Gallery , Brooklyn, NY
                Summer Weekend, Janet Kurnatowski Gallery, Brooklyn, NY
                Paper 2011, Janet Kurnatowski Gallery, Brooklyn, NY
2010         Summer Love, Janet Kurnatowski Gallery, Brooklyn, NY
                Paperworks, Janet Kurnatowski Gallery, Broklyn, NY Color Time Space – 
                        Curated by Joanne Freeman & Kim Uchiyama, Janet Kurnatowsk Gallery, Brooklyn, NY
                Color Time Space – Curated by Joanne Freeman & Kim Uchiyama, Lohn Geduld Gallery, NYC      
2009         Year Five, Janet Kurnatowski Gallery, Brooklyn, NY
2008         Benefit: Aldrich Museum, CT
                Benefit: Edna St.Vincent Millay Artist Colony ,Joyce Goldstein Gallery, Chatham, NY
                PEACE, Sideshow Gallery, Brooklyn, New York
                Ways of Seeing, The Lobby at 499 Park Avenue, Judieth Selkowitz, Curator
2007         UNCP Art Faculty Exhibition, University of North Carolina at Pembroke, The AD Gallery
                A Painting Show, Planet Thailand, Brooklyn, New York, Janet Kurnatowski, Curator
2006         Is Over “Again”, Sideshow Gallery, Brooklyn, New York
                Conversations in Paint, The Painting Center, NYC, Eastern Connecticut State
                        University
                The College of William and Mary, Haverford, PA
2004         Women: Benefit for Cancer, Sideshow Gallery, Brooklyn, NY
                Eccentric Spaces, N3 Project Space”, Brooklyn, NY
2003         100 x 100” (Fundraiser Event), Collaborative Concepts, Beacon, NY
                Drawing :Faculty Art Show, William Paterson University, Wayne, NJ 2002
                Peripheral Vision, Collaborative Concepts, Beacon, NY
                Peace, Sideshow Gallery, Brooklyn, NY
                Flights of Fancy, Benefit, Westchester Children’s Hospital Suzanne Randolf, Curator
                Annual Art Auction: Anderson Ranch Arts Center, Colorado
                The Drawing Centers 25th Anniversary Benefit Selection Exhibition The Drawing Center
2001         Faculty Art Show, William Paterson University, Wayne, NJ
2000         New York Painters, Eckert Fine Arts, Naples, Florida
                Sensibility and Surface, Henry Street Settlement, NYC, Molly Herman, Curator
                Drawings & Photographs, Foundation for Contemporary Performance Arts: Benefit, Matthew Marks                                 Gallery, NYC
                Hiding in Plain Sight, 450 Broadway Gallery, Loren Munk, Curator
                Faculty Art Show, William Paterson University, Wayne, NJ
1999         Cow Parade, New York City
                Artwalk, Benefit: Coalition for the Homeless, NYC
1997         Abstract and Unfixed, Art in General, NYC, Richard Tsao & Hiram Rodruguez-Mona, Curators
                French Designer Showcase, Benefit:The American Hospital of Paris Foundation, NYC
1995         Prints: Benefit for the Foundation for Contemporary Performance Arts, Brooke Alexander Gallery, NYC
1993         Sommer ‘93, Winkelmann Galerie, Dusseldorf, Germany
1992         Then & Now, Philippe Staib Gallery, NYC, Buzz McCall, Curator
                Contemporary Drawings and Paintings, Christie’s East, NYC, auction, Tuesday, November 17, 1992
1991         Drawings by Artists Represented the John Weber Gallery, ARCO, Madrid, Spain
                A Selection of Large Scale Sculpture, John Weber Gallery, NYC
                Amerikansk Kunst Efter 1960, GI., Holtegaard 1990
                Group Painting Show, Zoe Gallery, Boston, MA
                The Grid: Organization and Idea, Ben Shahn Galleries, William Paterson   University, NJ
1989         Partnership for the Homeless, Benefit: Auction at Christie’s, NYC, December 16, 1989
                Methods of Abstraction, Gallery Urban, NYC
                Artists of the Eighties: Selected Work From the Maslow Collection, Sordoni Art Gallery, Wilkes-Barre, PA
                Art on Paper, Weatherspoon Gallery, Greensboro, NC
                Drawing, Daniel Newburg Gallery, NYC
                Kunster Der Galerie, Galerie Muhlenbusch-Winkelmann, Dusseldorf, Germany
1988         Formal, Dart Gallery, Chicago, Illinois
                Works on Paper, Shea and Baker Gallery, NYC
1900 to Now: Modern Art in Rhode Island Collections, Museum of Art, Rhode Island School of Design, Providence                         Drawing, Martina Hamilton Gallery, NYC
1987         Solid Abstraction: Shaped, Stacked & Pierced, Saxon Lee Gallery, LA, CA, SolOstrow, Curator
                Pastel Anthology II, Grace Borgenicht Gallery, NYC, Miles Manning, Curator
                New Abstract Prints, Associated American Artists, NYC
                Woodwork, Martina Hamilton Gallery , NYC
                Art Against Aids, John Weber Gallery, NYC
                Art Against Aids, Scott Hansen Gallery, NYC, Klaus Kertess, Curator
                Group Show, John Stoller Gallery, Minneapolis
1986         Sculpture on the Wall, Aldrich Museum of Contemporary Art, Ridgefield, CT
1976- 1986: Ten Years of Collecting Contemporary Art, selections from the Edward R.Downe Collection,                                            Wellesly College Museum, Wellesley, Mass.
                Group Show, Barnara Greene Gallery, Miami, Florida
1985         Basically Wood, Thomas Segal Gallery, Boston, MA
                Large Drawings, Museum of Modern Art, NYC, John Elderfeld, Curator
                Benefit Exhibition, Independent Curators, Inc. NYC
                Color in Sculpture, Alpha Gallery, Boston, Mass.
                Furniture by Artists, Baltimore Arts Festival, Baltimore, Md., Diane Brown, Curator
                Geometric Abstractions: Selections from a Decade 1975-1985, Bronx Museum,  Bronx, NY,
                        Philip Verre, Curator
                Artist Toys and Ornaments, Vanderwoode Tannenbaum Gallery, NYC
                Chromatics: A Sculpture Exhibition of 20 Artists, The Mendick Co., NYC, Jud Tully, Curator
                Tit for Tat Lin, The Alternative Museum, Peter Berg,Curator
                Drawings by Sculptors: Two Decades of Non-Objective Art from the SeagramsCollection,                                                 SeagramsBuilding, NYC
1984         Montreal Museum of Fine Arts, Canada Nickle Art Museum, Calagery, Canada
1983         Science Fiction, John Weber Gallery, NYC, Peter Halley, Curator
                Artist Toys, Vanderwoode Tannenbaum Gallery, NYC
                Hundreds of Drawings, Artist Space, NYC
                Intermedia: Between Painting and Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, Conn.
                Concepts in Construction: 1910-1980, Independent Curators Inc., Irving Sandler, Curator Tyler Museum,                         Tyler Texas
                Norton Gallery and School of Art, West Palm Beach, FL
                Bass Museum of Art, Miami Beach, FL
                Cincinnati Art Museum, Cincinnati, Ohio
                Alberta College of Art, Calagary, Canada
                Norman McKenzie Art Gallery, Regina, Canada
                Anchorage Historical and Fine Arts Museum, Anchorage, Alaska
                Long beach Museum of Art, Long Beach CA
                Palm Springs Desert Museum, Palm Springs, CA
                Neuberger Museum , SUNY College at Purchase, NY
                New York-One Dag-Arbeider Da Papir: 18 Amerikanske Kuntsmuseum Aalborg/ Randor
                        Kuntsmuseum, Denmark
                On the Leading Edge: Cross Currents in Contemporary Art of the Eighties   General Electric Co.        
1982         Biederman-Kendrick-Gummer, Arts Club of Chicago, Chicago, Illinois
                4 Artists, Bowdin College Museum, Brunswick, Maine
                The Circulating Exhibition Commodities Corporation of Princeton New Jersey Museum of Art
                        Fort Lauderdale, Florida
                        Oklahoma Museum of Art, Oklahoma
                        Santa Barbara Museum of Art, Santa Barbara, CA
                        Grand Rapids Art Museum,Grand Rapids, Michigan
                        Madison Art Center, Madison, Wisconsin
                        Montgomery Museum of Art, Montgomery, Alabama
                New Drawing in America, The Drawing Center, NYC/Venice, Italy/Surrey, England
                Drawing: New Dimensions, Summit Art Center, Summit, New Jersey
                Constructed Color, Hayden Gallery, MIT, Boston, Mass. Kathy Halbreich, Curator
                Internationale Jugendtriennale der Zeichnung, Kunsthalle, Nurenberg, W.Germany
                Musee Cantonal des Beaux Arts, Lausanne, Switzerland
                Documenta 7, Kassel, Germany, Rudi Fuchs, Curator
                Choix Pour Aujourd’hui, Centre Georges Pompidou, Paris, France
1981         Group Show, Gloria Luria Gallery, Bay Harbor Island, Florida
                Recent Acquisitions – Drawing , Aldrich Museum of Contemporary Art, Ridgefield, Conn.
                Sculpture, The Clocktower, NYC, Per Jensen, Curator
                Media Relief, John Weber Gallery, NYC, John Weber & Ronnie Cohn, Curators
                Color on Structure, William Paterson University, Wayne, N.J.
                Large Format Drawings, Barbara Toll Fine Arts, NYC
                Currents: A New Mannerism, Jacksonville Art Museum, Jacksonville, Florida
                35 Artists Return to Artist Space: Benefit Exhibition, Artists Space, NYC
                Recent Acquisitions: Drawings, Museum of Modern Art, NYC
1980         All in Line: An Exhibition of Linear Drawings, Syracuse University Museum
                Terry Dintenfass Gallery, NYC
                Recent Work/Gallery Artists, John Weber Gallery, NYC
                Aspects of Geometric Art:1917-1980, University of Kentucky Art Museum,   Lexington, Kentucky
                Selections from the John Weber Gallery, University of Southern Florida Florida International University,                         Miami, Florida
                Art for Public Places, Lever House, NYC
1979         Large Scale Paintings at Cooper Union, Cooper Union College, NYC
                Sitework, World Trade Center, NYC
                Mind Set: An Ongoing Involvement in the Rational Tradition, John Weber   Gallery, NYC
1978         Selections: The Drawing Center, NYC
1977         Works on Paper, Katonah Gallery, Katonah, NY

TEACHING EXPERIENCE

2007-12            University of North Carolina at Pembroke, Martha Beach Endowed Chair of Painting
2004                 Western Wyoming Community College, Rock Springs, Wyoming, Visiting Artist/Fall Semester -
                         Painting, Drawing, 2D Design, Art History
2004                 New York Studio School, Brooklyn Studio Visiting Artist
2003                 University of Utah, Salt Lake City, Utah, Visiting Artist
                         The Art School at Snug Harbor, Staten Island, NY, Visiting Artist
2000-04           William Paterson University, Wayne, New Jersey, Adjunct Professor - Color Theory and Painting,
                         2D Design, Figurative & Perceptual Drawing
2000                 Milloy College, Rockville Center, New York,  Adjunct Professor - Figurative Drawing/Painting
1999                 Virginia Commonwealth University, Richmond, Virginia,  Fall Semester Visiting Artist -
                        Graduate Painting, Advanced
                        Drawing, Slide Lecture, Student Exhibition Juror, Solo Exhibition (work made during fall residency)
1998-00          Hofstra University, Hempstead, New York,  Adjunct Assistant Professor - Painting, Figurative Drawing,                         2D Design, Perceptual Drawing
1998                 George Mason University, Fairfax, VA, Brooklyn Studio Visit & Studio Tour
1985                 Rhode Island School of Design, Providence, Rhode Island, Visiting Artist
1984                 Yale University, New Haven, Connecticut, Visiting Artist - Graduate Painting Department
                        State University of New York at New Paltz, Visiting Artist
                        Connecticut College, New London, CT, Visiting Artist
                        The Museum School of Boston, Boston, MA, Student Traveling Award Juror
1983                 The Museum School of Boston, Boston, MA, Visiting Artist
                        The Museum School of Boston, Six Week Sculpture Studio Seminar
                        New York University, NYC, Adjunct Painting Instructor
1981                 Yale University, New Haven, CT, Visiting Artist, April 8, 1981
                        Yale University Art Society, New Haven, CT, Visiting Artist
1974                 Pomona College, Pomona, New Jersey, Visiting Artist

MUSEUM & PUBLIC COLLECTIONS

Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Atlantic Richfield Company
Chase Manhattan Art Program
Chemical Bank
Cincinnati Art Museum
Center Georges Pompidou, Paris, France
Commodities Corporation, Princeton, New Jersey
Everson Museum of Art, Syracuse, New York
Hayden Gallery, MIT, Boston, Mass.
Hirshhorn Museum and Sculpture Garden, Washington, D.C
Inter Metro Industries Corporation, Wilkes-Barre, Pennsylvania
Kroller-Mueller Museum, Otterlo, The Netherlands
Mapplethorpe, Robert
Marsh and McLennan, New York
Mayo Clinic Santa Fe, NM
Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Museum of Contemporary Art, Chicago, Illinois
National Gallery of Australia, Sydney, Australia
Pharmacia (Searle Organization)
Prudential Insurance Company
Joseph Seagram and Sons
Vero Beach Museum, Vero Beach, Florida
Wadsworth Athenaeum, Hartford, Connecticut

GRANTS/RESIDENCIES

2017         Pollock-Krasner Foundation Grant
2016         Yaddo Artist Residency
2015         Joan Mitchell Foundation Artist Residency New Orleans Fellow
2012         University of North Carolina at Pembroke Faculty Development Grant
2011         John Simon Guggenheim Memorial Foundation Fellowship
2010         Fellow, Jentel Foundation, Banner, Wyoming
2008         Joan Mitchell Foundation Painting and Sculpture Grant
                UNC at Pembroke Faculty Development Grant
                North Carolina Regional Arts Council Project Grant
2005         Adolph Gottlieb Foundation Artist Grant
2004         Edward Albee Foundation Residency Fellow
2003         Nominee, Tiffany Foundation Grant
                Change, Inc., Grant (Robert Rauschenberg Foundation)
2001         Virginia Center for the Arts, Residency Fellow
                Adolph and Esther Gottlieb Foundation/Emergency Assistance Grant
1994         Pollock-Krasner Foundation Grant
1988         New York Foundation for the Arts, Painting
1982         National Endowment for the Arts, Sculpture
1979         National Endowment for the Arts, Drawing
1978         New York Cultural Foundation Artist Project
1977         Edna St. Vincent Millay Colony for the Arts, Residency Fellow

REVIEWS

2013         Hyperallergic.com, “Is Neon the New Black?”, June 7th, Daniel Larkin
2010         A Rollicking, Raucous Surrealistic Tableau By Lance Esplund for The Wall Street Journal
                 James Biederman at Janet Kurnatowski
2009         ACT II: RIPE FOR REDISCOVERY by James Kalm
2008         Shape Shifters: New York Painters Art Critical By: Cathy Nan Quinlan
                Video from Shapeshifters Exhibition @ Sideshow Gallery
                My, How Time Flies… 
2007         Linda Hudginsart: Bold Life Article By: Norm Powers
2006         ART BASEL MIAMI BEACH 2006 by James Kalm and Ben LaRocco
                Video James Biederman Plaster Works at GALERIA JANET KURNATOWSKI
2004         Gallery Going, by DAVID COHEN
                Ortiz, Lori, “The Color Imperative”, offoffoff.com, May 21, 2004
2003         Discordant Pastoral:Painting in the Age of Lost Luggage. James Biederman at Art LabGallery
                        By: Lori Ortiz
                Ortiz, Lori, “Discordant Pastoral-Painting in the Age of Lost Luggage”, www.wburg.com  December
                Painting – N3 Project Space, Brooklyn, N.Y.– Artists: Sharon Horvath, Craig Buckbee, Taro Suzuki, Eric                               Holzman, Gordon Moore
                Fressola, Michael, “The Titles Talk at the Art Lab Show”, Staten Island Advance, Friday,  August 8
                Halasz, Piri, From the Mayors Doorstep, No.44, January 15, 2003, p.17
2002         A Controller of Chaos With No Fear of Paint By D. Dominick Lombardi
                De Coppet, Lauras, Alan, The Art Dealers, Cooper Square Press, 2002 (Book), p.202
                Johnson, Ken, “Lifelike, Abstract or Funky, What Exactly is a Drawing”, NY Times, Friday, September 27
                Lombardi, Dominick D.,”A Controller of Chaos With No Fear of Paint: James Biederman: Paintings
                        and Drawings
                The New York Times, Westchester section, Sunday, March 3, 2002
2000         McCelland, Eileen, “Summer Soiree”, Naples Daily News, August 24, 2000
1999         Kalm, James, “Painting IV:Wanderlust”, N3 Project Space, NY ARTS, vol.3, no.4, April  
                Nelson, Samantha, “Pick 3”, Waterfront Week, Febuary 15, 1999
                Newhall, Edith, “Happening Homework: James Biederman’s N3”, New York, Febuary 15, 1999
                Smith, Roberta, “Brooklyn Haven for Art Heats Up”, New York Times , Friday, November 6, 1998
1992         Then & Now, exhibition catalogue, Philippe Staib Gallery, NYC, 1992
1991         Amerikansk Kunst Efter 1960, exhibition catalogue, GI. Holtgaards, essay by Oystein Hjort,
                        March-April 1991, p.11
                The “Goings On Around Town”, New Yorker, April 15, 1991, p.13
                Deconstructed Painting: Some Younger Artists in the 1980s, By: Holland Cotter
                Biederman, James, “Artist’s Writings”, Art Journal, College Art Association, CurtBarnes, ed. Spring, p. 4
                The Grid Organization and Idea, exhibition catalogue with essays by Karl Lunde andDavid Raymond,
                        Ben Shahn Gallery
1990         The William Paterson College of New Jersey, Wayne, New Jersey, April 1990
                Friedrichs, Yvonne, “DoppellaussstellungbeiMuhlenbusch:Blosgeletesinneres” Dusseldorf Feuilleton,                                   Rheinische Post September 3, 1990
                Bernhard, Renate, “Galerie Muhlenbusch-Winkelmann: Oh Schreck! Nichts als Gips undStroh”, NRZ,
                        March 8, 1990
                Kur, “Aus den Galerien: Muhlenbusch, Dusseldorf”, Handelsblaft, March 6, 1990
                James Biederman, catalogue with essay by Andreas Vowinckel, Galerie Muhlenbush- Winkelmann,                                     Dusseldorf, Germany, 1990
1989         Artists of the 80’s Selected Works from the Maslow Collection, exhibition catalogue, 
                        Sordoni Art Gallery, Wilkes-BarrePennsylvania, 1989
1988         Gilbert-Rofe, Jeremy,”Art: Pick of the Week”, L.A. Weekly, January 15, 1988
1987         Ellis, Stephan, “Review”, Art in America, October 1987, p.117-118
                Jones, Amelia, “Room for Conceptual Experimentation”, Artweek, December 19
                Baker, Kenneth, “Biederman’s Paintings”, San Francisco Chronicle, June 13, p.41
                James Biederman, catalogue with essay by Tiffany Bell, John Weber Gallery
                Flam, Jack, “Old Artists, New Styles: Painters on the Move”, Wall Street Journal, March 25
1986         “Prints and Photographs Published”, Print Collectors Newsletter, vol.XVII, no.4, September/October
                Contrasts of Dabrowski, Magdalena, Form: Geometric Abstract Art 1910-1980, book, published by
                        The Museum of Modern Art NYC, 1985, p.207
1985         “Artists Toys”, Art & Antiques, December, 1985
1984         Tit for Tat, exhibition catalogue with essay, “Constructive Abstraction”, by Peter Chametzky and
                        Sue Fellman, The Alternative Museum, NYC, 1984
                New Art, book, published by Harry Abrams, New York, 1984
1983         “Drawing”, New Observations, no.8, Spring, 1983
                Cohen, Ronny H., “Drawing Now in New York City: The Pictorial Image of the Eighties”, Drawing,
                        January-February 1983
                New Observations: Art and Culture, exhibition catalogue, John Weber Gallery, NYC
                Eisenman, Stephen, “Review”, Arts Magazine, April 1983, p.32
                Cohn, Ronnie H., “Review”, Artforum, April 1983, p.72
1982         “New Drawing in America”, exhibition catalogue, The Drawing Center, NYC
                Fuchs, Rudi, Documenta 7: Kassel. VolumeI&II, exhibition catalogue, introduction by Rudi Fuchs,
                        editorial by SSKIA Bos, 1982
                Phillips, John, “English Painters and American Draftsman”, The New York Times, Sunday, March 21
                Zeichuna Heute:2 Internationale Jugendtriennale & Meister der Zeihnung, exhibition catalogue,
                        Kunsthalle, Nurenberg, West Germany
                Tuchman, Phyllis, Biederman-Gummer-Kendrick, exhibition catalogue with essay, The Arts Club
                        of Chicago, 1982
1981         Currents: A New Mannerism, exhibition catalogue, Jacksonville Art Museum, Jacksonville, Florida
                Color on Structure, exhibition catalogue, William Paterson University, Wayne, New Jersey, 
                Eisenman, Stephen, “Review”, Arts Magazine, Summer, 1981, p. 128
                Cohn, Ronny H., “A s Survey of What, How and Why Younger American Artists Are Drawing So
                        Much Today”, Drawing, vol. LLL ,no.2 July/August 1981
                Smith, Roberta, “Seductive Selections”, The Village Voice, June 10, 1981
                McFadden Sara, “James Biederman at Weber”, Art in America, June 1981
                Art 1981: Chicago Navy Pier, May 14-19, 1981, exhibition catalogue
                Pincus-Witten, Robert, “Entries: Sheer Grungs”, Art in America, May 1981
                Cohn, Ronnie H., “Review”, Artforum, March 1981
                Kramer, Hilton, “Art: The Modern Shows Off Acquisitions of Drawings”, The New York Times, March 20
                Mann, Virginia, “All in Line”, Arts, February, 1981 Miami
                Dobbs, Lillian, “John Weber Artists Rejects Traditional Mold”, News, January 23, 
                Russel, John, “Review”, The New York Times, Friday, January 23, 1981
1979         Kramer, Hilton,”Art: 18 In the Constructivist Tradition”, The New York Times, December 14
                Tatranski, Valentin, “Review”, Arts, February 1979
1975         Heinman, Susan, “Review”, Artforum, February, 1975

EDUCATION

Yale University MFA 1973
Whitney Museum Independent Study Program 1970-1971
State University of New York at New Paltz, BA1969